Bike+time+trust = learning to fly

Toddler on Tricycle

It all starts here. Image source: © Philippe Put. Licensed under a Creative Commons Attribution Licence. Click image for original source.

I wish I had had my camera with me, because just the other day I saw something extraordinary. Something so rare that I thought it was almost extinct. I was, frankly, both shocked and excited!

What was this rarity, this amazing vision? Picture this: I’m walking back from my local cafe/shopping strip on Main St in Osborne Park. An  inner-city suburb in Perth, Western Australia. I’m walking down Hutton St, a very busy main suburban feeder road that leads directly to the Mitchell Freeway entries a kilometre away. It’s around 4.30pm, so the rush hour has started and Hutton St is packed with cars, heading for the Freeway and home.

And then I saw it! Or should I say saw him. A young boy on a dazzling chrome and electric blue BMX bike came whizzing down Hutton St. He’s keeping up with the packed traffic, but he’s pumping hard on the pedals, out of his seat, and going for it.

A quick glance left and right, over both shoulders; then he sits back down on the seat, expertly signals for a left turn, lays the bike over and turns hard into my own street, Edward St. He’s still flying, and now he’s back onto the pedals and pumping hard again, and that’s where I lost sight of him. Extraordinary!

What’s so odd about that, you may say. Kids ride bikes don’t they? Well, do they? Or do they any more? And do they do it on their own, without mum or dad, on busy roads? They used to – Lord knows, I did when I was this boy’s age. But I simply cannot recall the last time I saw a kid – of any age – on a bike on Hutton St.

On the footpath, yes, sometimes, at a sedate barely-above-walking pace, normally carefully shepherded by a watchful parent on a bike or on foot. Often that’s entirely reasonable – little kids on bikes need supervision, even on footpaths. Sometimes it’s the ugly parent syndrome, with Mum or Dad barking constant instructions and warnings.Sometimes the “kid” who is being barked at is well into his/her teens.

Careful parents, great! Ugly parent syndrome: just say no. Image source: © by pugetsoundphotowalks. Licensed under a Creative Commons Attribution Licence. Click image for original source

On the the road itself? Alone? Does not happen. You only occasionally see adult cyclists on Hutton St; never kids, and certainly never kids as young as this one.

This kid was around 9 – maybe 10. He was seriously competent – he knew his road rules, he was totally in control, and he was not taking unnecessary risks. He was reading the traffic, he wasn’t weaving through it or tailgating the car in front. If he had been riding more slowly he would have been at more risk, not less, since he wouldn’t have been keeping up with traffic, he would have been passed by car after car. He was just a good rider, doing what good riders do – ride.

He had the legally compulsory stack hat on – there are serious fines here for non-compliance with the cycle helmet laws. But what was keeping him safe – and I truly do believe he was safe (or as safe as any rider of any age, even an adult) – what was keeping him safe was not his stack hat. It was his skills and his knowledge. And you only get those skills and knowledge through serious practice.

You can learn to ride a bike in a park or an empty car park. You can even do it on a driveway, or backyard or at school. But to learn to ride on roads, and to do it safely and competently there is only one method: you must ride on roads. And cyclists, including child cyclists, have every bit as much right to be on the roads as any other vehicle.

My guess is that this kid has been learning to ride practically since he learnt to walk. He’ll have started on a tricycle, maybe moved onto a 3 wheeled scooter. Maybe he went straight to a mini-BMX bike at around 3 – and I reckon the training wheels came off a couple of months later.

toddler on BMX bike - no training wheels

Look Mum! No training wheels! Image source: © by russteaches. Licensed under a Creative Commons Attribution Licence. Click image for original source

At first he’ll have ridden under the close supervision of his parents. And only in safe areas where falling off is unpleasant, but not a tragedy – probably the local oval or park. You don’t learn to ride well without falling off a lot of times. Firm grass is a lot more forgiving than concrete or bitumen, but I’ve no doubt he was riding every day on that too.

And gradually he must – MUST – have been introduced to riding on the roads. Quiet suburban cul-de-sacs; back streets; then gradually more busy streets. And at first I bet he had mum or dad watching him like a hawk, teaching him the road rules, teaching him about safety and how to deal with traffic (even quiet back streets get plenty of traffic).

Learning to Ride on the Road.

Learning the road can only be done on the road – quiet roads first. Image source: © by FaceMePLS. Licensed under a Creative Commons Attribution Licence. Click image for original source

And as the hours on the roads mounted up and the lessons sunk in, as his skills developed and his knowledge consolidated, he must – MUST – have gradually been given more freedom and autonomy by his parents.  They knew they could trust him; they did trust him: bit by bit, little by little, they let him spread his wings and fly.

And so now, here he is: 9 or perhaps 10. No parent to cotton-wool him or yell that singularly useless phrase “Be careful!”. No one to tell him how to ride or what to do, or what is safe and what isn’t. No need: he knows. It’s embedded, right down deep in his brain, he doesn’t even have to think very much; by now most of what he is doing is instinctive. Because he has practised and practised and practised again.

They say it takes 10,000 hours of practice to get really good at any physical skill. Piano, guitar, tennis, surfing – or riding a bike. My guess is that he had put in those 10,000 hours, or something close to it, since he first got on a tricycle at what? 15 months? He’s had the time if he’s dedicated enough.

Assume he has been riding now for 8 years. That’s 70,000+ hours total time. A lot of that time he’s asleep or at school or doing other things, but even so, he has plenty of time to make his 10,000 hours – if he is given the opportunity to put the time in by parents who understand that here is a boy who lives and breathes cycling. I wouldn’t be surprised to find he’s into competition BMX racing or maybe Freestyle BMX.

Freestyle BMX boy

Freestyling on the quarter pipe ramp. Image source : © by Stewart Black. Licensed under a Creative Commons Attribution Licence. Click image for original source

Putting in the hours at the track or the skatepark, training hard, trying new things, and falling off and getting back on the bike, over and over and over again.

BMX Race fall

You race: you fall. Then you get up. You race again: you fall again. Image source : © by Pennuja. Licensed under a Creative Commons Attribution Licence. Click image for original source

So: to the young boy I saw; to that extraordinary sight, that astonishing rarity (a sight that used to be an everyday, all-day occurrence in the past); to that young boy I say: “Go, you good thing! Crank those pedals! Proj on! Citius, Altius, Fortius!” But I don’t think he needs any telling. He knows he’s good and he’s justifiably proud of his skill.

And to his parents I say: “Thank you! Thank you for putting the countless hours in with your son. Thank you for teaching him right. Thank you for supervising him when he needed it. And most of all, thank you for trusting him, thank you for giving him his freedom, thank you for giving him the wings to fly.”

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Want to know more about cycling and children? Do you want facts and figures, hard data from an internationally respected academic researcher and policy adviser on the subject?

Here it is: Tim Gill’s huge (53 page) PDF report “Cycling and Children and Young People: A review” for the UK non-profit organisation, the National Children’s Agency.

It’s all there: How much do children cycle? Is it decreasing over time?  What are the rates of cycle ownership? How far do children travel and where? What are the risks? What are the benefits? What are the general societal attitudes to children cycling? What are children’s own attitudes to cycling?

What policy initiatives increase – or decrease cycling rates in children? What about other countries – what can we learn from international perspectives and policies? What research has been done – and what remains to be done? What’s controversial? And what isn’t?

What about safety? What policies, practices and facilities work to reduce injury? What don’t? Do helmets save lives and/or prevent injuries? And if so, how effective are they at doing so? Do the benefits of helmets outweigh their downsides?

And much, much more, and all backed up with extensive hard data and fully annotated and with all the citations to all the research cited in the document.

It’s not light reading- but it’s very readable! You don’t need to be a statistician or academic to read this paper, believe me! And if you just want an overview, not to read every word, there is a 4 page summary that lists all the key findings of the report.

Thanks to Tim Gill for drawing my attention to this report – it’s essential reading!

Swallows and Amazons – How Childhood Has Been Stolen From Our Children

For me, “Swallows and Amazons” is the greatest children’s adventure novel of the 1930′s.  But this is not exactly a review: it’s more about how our present generation of children has had their freedom and lives stolen from them by society’s excessive fears for their safety.  Swallows and Amazons is all about trusting young children to take sensible calculated risks – risks that children today are denied.

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“Better drowned than duffers if not duffers won’t drown.”

So reads the telegram that the Walker children have been waiting for, in Arthur Ransome’s 1930 children’s novel “Swallows and Amazons”.  It’s the tale of the perfect summer holiday; a summer the children spend sailing a small dinghy on ‘the lake’ in the English Lake District, camping on ‘Wild Cat Island’.

Swallows and Amazons cover

This image may be copyright. It is used under fair right provisions for educative purposes only.

That telegram is from their father, and it is a mark of trust. A trust that his children are not ‘duffers’.  That his children can be trusted to act sensibly and to take responsibility for their own actions.  Alone; without adults to tell them what to do or how to do it.  Adults exist in this book, but they are peripheral.  The children are the active agents and they are the ones calling the shots and making the decisions.

If I can think of one novel that has influenced me more than any other it is Swallows and Amazons.  It is a book I come back to, a book that bears repeated reading, a book that defines both me and how I view the world.  When I say ‘one novel’, I don’t mean ‘one children’s novel’.  I mean ‘one novel, period’.  This is the book.

It has profoundly affected my life – I’ve not done everything that happens in the book myself, but I’ve done a thousand similar things both as a child and as an adult that I attribute directly to the effect of this book.  I’ve camped in the wild as a child, I’ve fished for my dinner, and aged 10 I was sailing high-performance racing dinghies.

A little later I was doing serious rock-climbing and abseiling. And then surfing the massive waves of SW Australia.  I’ve kayaked in shark-infested waters (you haven’t lived until a shark longer than your kayak cruises slowly past and ignores you completely!)  And I’ve lain on my back in the remote deserts of Australia and marvelled at the glories of the night sky.

And I’ve done them all safely and responsibly, and I seriously doubt I would have done any of them without Swallows and Amazons, simply because the book tells children “you can do exciting stuff – so long as you are sensible about how you do it”.  And I took that message to heart, and it changed my life.

I read it first when I was 5.  I was a precocious reader – I suspect it is meant for what we now call ‘tweens’, and intelligent tweens at that.  When my Grade One teacher realised I was unchallenged by “Janet and John” and “Dick and Dora” she suggested I should bring my own books to school.  I remain forever grateful to her: the first book I brought was Swallows and Amazons.

So, what happens in Swallows and Amazons?  Well: not much.  The children sail ‘Swallow’. They camp on Wild Cat Island, doing all their own cooking. They catch fish to eat; they build camp fires to cook; they use knives and hatchets and tools. They even construct a lighthouse in a pine tree that requires considerable climbing skill to reach the first branches many metres above the ground.

These children are competent – but not exceptionally so.  They also make mistakes, just as all children do.

What else happens?  They meet Nancy and Ruth, the Amazon Pirates, and have a most satisfactory “war”, first with the Amazons , and then later with ‘Captain Flint’, Nancy and Ruth’s uncle, who wrongly accuses the Walker children of stealing something from his houseboat. The Walker children find the stolen ‘treasure’.  I won’t tell you what that treasure is – I don’t want to spoil your pleasure.  Read it and find out for yourselves.

Why am I writing about this? Because this book defines how much we have lost; how much has changed in the lives of our children.

The four children’s ages are not stated, but it seems reasonable to believe that they are between 7 and 13 years old.  The youngest, Roger, cannot swim. Yet his parents trust his older brother, John, to take him sailing on a large lake in a small dinghy.

Because that is the core of this book.  It’s about trust.  Trusting children to act sensibly and responsibly, even in the absence of direct parental supervision.

When Swallows and Amazons was published it took the children’s publishing world by storm.  It was the biggest selling children’s novel of its time.  Think “Harry Potter” and you won’t be far wrong.  It sold hundreds of thousands of copies and it is still in print.  If you were a child in the 1930s (or, at least, an English middle class child) you read Ransome. You loved Ransome.  Because Ransome was writing your life.

‘Swallows and Amazons’ was widely reviewed at the time of publication; and if you read those reviews the one thing you won’t find is anyone suggesting that this was not a realistic representation of a middle class child’s holiday.

Not one reviewer says, “Hang on a moment: this isn’t real!  No child would REALLY be allowed to do this by their parents!”

No; what you find in those reviews is:

“the story of their adventures on a little island in the middle of an English lake is thrilling just because it is not fabulous.”

“The only tinge of sadness that crosses my perfect enjoyment (I have read it twice already, by the way) is that born of the fact that I can’t, now, enjoy the thrill open to the younger reader, who will, after reading, proceed to master the craft of sailing and set forth on wondrous and perilous adventures like John and Susan, Titty and Roger.”

“To read of their busy and adventurous days is to envy them their good fortune and their sensible relatives, who had enough imagination and self-control to keep out of the serious business on the island.”

“There comes a time when every child (except the born duffer) wants to cast off, camp out in the woods, own and explore a desert island, prove, that is, some ability to live independently of mama, papa and civilisation. And so this book, which tells a story not beyond the bounds of possibility, manages to get, too, the thrill and zest of romantic adventure.”

“Mr. Ransome has written a really delightful book – a book of open air and fact and fun which fulfils the stirring promise of its title. It contains the lore of sailing and the lore of fishing and the lore of camping.  The excitement of discovery and exploration of pirates and warfare makes its pages turn with increasing speed. It is written about real children for real children”

That last sentence bears repeating: “It is written about real children for real children.”

Exactly. This is what real children did in the 1930s.  No suggestion that this is unrealistic. This is not some Enid Blyton fantasy.  This is what real children did then.

So, why don’t they do it now?  If this was possible then, surely it is possible now?  If not, why not?

The children are not exceptional.  The things they do are not exceptional.  Arthur Ransome writes about ordinary things, done by ordinary children.  The thing that makes this book exceptional is Ransome’s ability to get inside the minds of the children … to make their simple everyday experiences exciting and interesting, and above all believable.

Are the children insipid paragons of virtue?  No. They do some rather unwise things, including a hair-raising episode of night sailing.  But they are sensible; they quickly realise their actions could lead to tragic consequences and they tie up for the night to wait for dawn.

And in the end, the story comes to a most satisfactory conclusion.  Nobody gets hurt, even when a catastrophic storm destroys their camp in the middle of the night.

I honestly believe that there is no reason why children today should not be doing exactly the same things the Walker children do in Swallows and Amazons.  Children have not changed: society has changed, and changed for the worse.

Nowadays the Walker parents might well be charged with child endangerment or worse.  Allowing young children to camp and sail unsupervised; to use real tools like sharp knives and hatchets; to build fires and construct pine-tree lighthouses?  Surely this is utterly reckless!  Surely these children are being subjected to the most unreasonable dangers!

They meet and talk to complete strangers, like charcoal burners, and even enter their hut so they can see the pet adder kept by one of the burners!  Think of the “stranger danger” rhetoric that is constantly being foisted on us by the media.  Isn’t this evidence of an appalling abrogation of a parent’s duty of care?

Well, in my view: NO.  The things that the children do, and the actions the parents take are entirely reasonable.  The parents trust their children, and the children prove over and over again that that trust is warranted.  Yes, the children take some risks, but they prove that they are quite capable of assessing those risks and acting appropriately.

And I honestly and sincerely believe that if parents of today gave their children the same level of trust, then the vast majority of today’s children could do exactly the same as the Walker children and with exactly the same results. The parents’ trust would be rewarded and the children would act equally responsibly.

Children today are desperate for trust; they long for responsibility; they sincerely desire to do the right thing. But we as a society won’t let them.  And both society and the children are the losers for it.

When we don’t trust children they don’t learn how to take responsibility and they suffer real and measurable harm because of it. [PDF 233KB]

When we don’t give children reasonable freedom they take freedom in unreasonable and unsafe ways. When we protect children from all possibility of harm (however minor) we ensure they will suffer greater harm because they don’t know how to assess real hazards. [PDF, 31KB]

When we don’t teach young children how to safely use simple everyday tools, like fire, knives, saws, hatchets and drills they run the risk of serious injury because they will make serious mistakes in their use – and use them they will, if not when young, when older.

When we tell children that all strangers are dangerous we get tragic consequences.  Many children have come to harm – sometimes fatally – because they were too scared to ask strangers for help.  In that particular case a seven year old child was lost in a forest and a massive hunt was organised. Fortunately the child was found relatively unharmed – but she was lost for 4 hours, terrified, and “she had heard men yelling for her earlier, but was scared to approach them.” Note also that the first assumption made was not that she was lost, but that she had been abducted, and members of the public who wanted to help search for the child were refused permission by the authorities.  This is madness.

And no, this is not an isolated incident: here’s one far more serious.  Brennan Hawkins, 11, spent FOUR days lost in the Utah Mountains.  “Brennan told us he thought that he was going to die three times, and he said a prayer asking God for directions. His biggest fear was being abducted, so when he spotted rescuers on horseback, he stayed hidden.“  Brennan is lucky to be alive, and the most likely reason he would have died is because he had been taught to fear abduction above all else.  Again, this is madness.

Stranger danger exists but abduction by strangers is a very rare crime. The vast majority of strangers are of no danger to any child.  The sensible response is not to teach children to fear all strangers.  It is to teach them effective protective behaviours, starting with the people most likely to be dangerous to them.  Not strangers, but family members and people known to them and their families.

Findings from the ABS Personal Safety Survey (2005) indicated that for participants who had experienced sexual abuse before the age of 15 … 13.5% identified that the abuse came from their father/stepfather, 30.2% was perpetrated by other male relative, 16.9% by family friend, 15.6% by acquaintance/neighbour and 15.3% by other known person … 10.7% of child sexual abuse incidents were found to be perpetrated by females. McCloskey and Raphael (2005) argued that female perpetrators of child sexual abuse could be much higher as many cases go under-reported.   (ABS, 2005).

And we must teach children that when they are lost, injured or in distress they should ask strangers for help.  To teach them otherwise is to expose them to real danger, danger far more likely to cause them real harm, possibly fatal harm, than the minuscule danger posed by strangers.

Other children have died because strangers were too afraid of false accusations to help the child in distress.  This was not a case of a rare and heartless person – an exception:  nearly 50% of men and 30% of women in a recent study said they would be too scared to help a child in distress because they feared being falsely accused of child abduction.

I could go on, but I hope I’ve made my point.  Our children’s childhoods have been stolen from them by unreasonable fears for their safety.  I fervently hope that this will change and that society will come to its collective senses.  That young children will once again be able to experience the sort of joyous adventures that the Walker children experience in Swallows and Amazons.

I hope that children will be allowed and encouraged to take responsibility for themselves.  That they will again be given the freedom to roam their neighbourhoods.  That parks will be full of children playing together without the ever-present spectre of the helicopter parent.

That children will walk to school or ride their bikes.  That kids will have pocket knives and know how to use them.  That they will know how to build a safe fire and cook their own food on it.  That they can go camping alone on their local equivalent of Wild Cat Island.

And that parents will be able to say: “My kid’s head is screwed on right! The one thing I’m sure of is I can trust my kid to do the right thing, because my kid knows how to look after him/herself.”

It can happen.  And I’m an optimist – I sincerely believe it will happen.  Society has swung so far in one insane direction that the only possible place for it to go now is back to where it ought to be – a world where we trust children and give them the freedom and responsibility that they so desperately need.

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I would like to thank three people, without whom this blog post would not have been possible.

The first is Lenore Skenazy, writer of the fabulous Free Range Kids site and blog, from which I have drawn many of the references and information used in the latter part of the post.

The other is Tim Gill, writer of the equally fabulous Rethinking Childhood blog and the book ‘No Fear’.  Without Tim’s ideas and inspiration I could never have written this post.

The third is Aunt Annie, of the Aunt Annie’s Childcare blog. Annie gave me valuable criticism and suggestions that helped me get this post back on track when I had lost my way.

My profound thanks go to all three.  Alec.

The Future of Education is Play

There’s a lot of questioning now about “The Future of Education”.  But the answer is simple: The Future of Education is Play.

Collage of children playing

You can right click on this collage and select “view image” to see a larger version.

Image sources: let the children play; Irresistible Ideas For Play Based Learning;
Precious Childhood; Flights of Whimsy

I get a lot of emails from people all around the world about Child’s Play Music.  But this one touched a chord with me, because it’s about the Future of Play-Based Learning.  And to me that means it’s about the Future of Education, period.

It’s from Malissa Carey, a 20 year old student from Kansas, who is now studying at Concordia University.  Let me quote from the email and you’ll see why it means so much to me.

My name is Malissa Carey. I am from Princeton, Kansas but I attend school at Concordia University in Seward, Nebraska. I stumbled upon your website and have fallen in LOVE with your program. I am double majoring in Early Childhood and Special Education and will continue to get my Masters in Music Therapy and hopefully a Doctorate.  I would love to get to experience one of your classes but I don’t think that will ever get to happen, at least not in the near future. I just wanted to tell you how much I appreciate what you are doing and how much I want to base my future classroom like what you have! I am so very passionate about children’s learning through play. In a time where most teachers are worried about teaching to the test and hitting standards it’s refreshing to be able to just experience play and something that God intended us to do… to just live. Anyway, now that I have ranted and raved about how much I love what you’re doing I just want to simply say, THANK YOU!  Sincerely, Malissa Carey.

Now, it’s lovely that Malissa likes Child’s Play Music so much – I’m honoured and, indeed, humbled.  But what struck me most was Malissa’s passion for play-based learning.

I am so very passionate about children’s learning through play … it’s refreshing to be able to just experience play and something that God intended us to do… to just live.

I know only too well that play-based learning is under serious threat in the US (and to a lesser extent here in Australia too). As Malissa says, we are living “in a time where most teachers are worried about teaching to the test and hitting standards”.

[NOTE: just roll your mouse over the images for more information]

Children weaving a string spider web

This lovely structure took many children to create. It’s not just beautiful – it’s fantastically educational as the children discover just how complex and intricate a real spider web is.

Image source: Irresistible Ideas for Play Based Learning

And that is a tragedy.  When play goes, learning goes. We have over 100 years of solid research that shows that the natural way for young children to learn is through play [PDF, 573KB].    When worksheets, deskwork and standardised testing replace play we are harming children; when we cut or eliminate recess we are harming children; when we give them ever-increasing quantities of homework we are harming children – and the research cited above shows that the harm can be life-long.

And as Marc Armitage says Play MUST happen BEFORE learning can occur“.

Not “Play is something that can add to the ‘real’ learning that happens in chairs and desks in the classroom”.

Not “Play is a way for children to let off steam between the ‘real’ learning that happens from worksheets and sorting trays”.

Young child drilling with real hand drill

Young children need to learn about safe tool use – and the only way they can do that is through using REAL tools. A pretend plastic drill teaches nothing about risk or safe tool use.

Image source: Precious Childhood

children building huge block tower

These children put enormous thought into building this tower and making sure it was strong and stable enough to be climbed on. Given the opportunity for free play and calculated risks children are natural risk-assessors. Fortunately they have an educator who supports and encourages them in this sort of challenging play.

Image source: Flights of Whimsy

Play MUST happen BEFORE learning can occur.

Because play IS the real learning.  And play – real play – is freely chosen and child-led.  It is NOT imposed by adults.  Adults can support play, they can provide a rich environment for play, they can extend play, they can model ways of playing, but the minute they impose play it stops being PLAY – and it becomes WORK.

That’s why my Child’s Play Music programs focus on child-led play. I give children almost complete freedom to play with my instruments as they like.  I provide only the most minimal guidance as to how to play the instruments – just enough to get them started.  And then I stand back and let the children explore the instruments.

Children playing my drums. FUN = LEARNING!

I deliberately group my drums like this to encourage shared play and learning through modelling. You can see one child only has one drumstick; a few moments later he was using two like the other children.

And they always amaze me.  They come up with ways of playing them I would never have thought of.  And because I don’t teach them how to play the instruments they teach themselves – because free play is the greatest teaching method for young children.

Sharing a metallophone - I love this image!

Note how the girl on the right is observing – then a few seconds later the roles were reversed, and then they played together – a natural duet without any teaching necessary.

My program is definitely play-focused and child-led, but there’s also room for slightly more structured music activities – so long as you keep one thing in mind: FREE PLAY MUST ALWAYS COME FIRST! (Sorry about the ALL CAPS, but it really is that important!)

2 children playing a bass thongophone - how much fun is this?!

At first most young children will just play on one note – but very soon they experiment with the whole scale

In my own programs I always begin with totally free, unstructured, child-led play – but that doesn’t mean you can’t scaffold their play by introducing new ideas and techniques.  You don’t even have to think of it as ‘teaching’; merely modelling a different playing technique can be more than enough to spark children’s ideas.

Girls playing drums - with rock & roll attitude!

This is typical of how most young children first play drums – both sticks hitting together on one drum only

I often play drums with very young children (say 2-5) and their natural tendency is to whack with the two drumsticks as hard as they can, hitting together with both sticks on one drum. Because it’s FUN!  But when I play a simple rhythm with alternating sticks or simple patterns of alternating drums the children pick up on it immediately and make it their own.

Me modelling drumming techniques to 2 children

Note how the boy in the red shirt has immediately picked up on what I’ve modelled.

They may not play exactly what I play, but they take the idea and experiment with it in their own way.  And that is the power of play too – because play is the way that children learn, they will take anything and everything they see and hear and experience and make it their own.

I don’t think of this as ‘teaching’ because I’m not saying “hey, if you hit this drum once then that drum twice, and then pause, and then repeat that pattern we can all play Queen’s ‘We Will Rock You!”  I could do it, but then it wouldn’t be play, it would be teaching.  My moment of joy comes when the child spontaneously discovers the ‘We Will Rock You” rhythm for themselves – and they do, through play, and the look of pride on their face says it all.

Enough about what I do – here’s some more of what Malissa said in a later email:

I am very interested in starting something that has the ability to change minds on how people think about children and their learning. Being able to change the hearts and minds of children and what people think of education is actually one of my passions in being on this earth. I know I am only 20 but there are a lot of things I would really like to accomplish in this world. :) I care so much about children and how they are learning and what is going on in their worlds. I want to make a bigger difference … Personally, I cannot pinpoint a specific area that I want to teach because I love all areas of education and wish I could teach everything, but I am open to wherever God wants to lead me, and I feel that open to God’s calling is the best way to be.

Now that is inspiring! “Being able to change the hearts and minds of children and what people think of education is actually one of my passions in being on this earth … I care so much about children and how they are learning and what is going on in their worlds. I want to make a bigger difference”.

A cardboard box can be anything!

Some images from Malissa’s most recent play project – a cardboard box, some dress-ups, and these children are having fun! And that means they are LEARNING! Malissa is making “a bigger difference”!

A tutu, a lei - and a drum you can wear on your head!

This child wore this drum on his head so all his friends could play it while he was wearing it – now THAT is creative play! Would you have thought of that? I know I wouldn’t! But this child did through free play!

A cardboard box can be anything - even a shop!

The shop is now open – would you like to buy some stickers?

Image credits: Malissa Carey

Malissa, you may be only 20, but it’s people like you – young people with passion and fire and determination – who will be changing the world. You and your peers are the next generation of educators.  It’s you and others like you who can make sure that play is where it ought to be: at the centre, the core, the living heart of education.

And if you can do it and keep that fire and passion then it’s not just education that will be improved: it’s the lives of the children you will educate.  You CAN make a difference and the difference is vital.  Because the future of education is not worksheets, more deskwork, less recess, extra homework and standardised testing:

The Future of Education is Play.

children playing in a creek with sticks - safe, fun and educational!

This is REAL play! Children will learn far more – FAR MORE – in the natural environment than sitting in a desk. I always say there is nothing you can do inside that you can’t do outside, but there are thousands of things you can ONLY learn by being outside in the real world.

Image source: let the children play

Music play is play!

I firmly believe that the best way for young children to learn music is through free, hands-on self-directed play.  Formal music lessons can be wonderful for older children but for young children nothing beats exploration and free play.

I made this poster about music play and I think it explains my beliefs about young children and music very well.  It got quite a few shares on Facebook and it seems to have struck a chord with people.

Poster about music play for children.

Let me expand a little on what I mean by “Music play is play!”

Play is the fundamental way that children learn and make sense of their world, and music play is simply one of the many forms of play. But what is “play”?

Play is “what children and young people do when they follow their own ideas and interests, in their own way, and for their own reasons.” PDF link. Or to put it another way, “play is what children do when adults aren’t telling them what to do”.

The more rules adults impose and the more they direct children’s play the less play-like it becomes, the less fun it becomes, and the less children learn. So let the children take ownership of their music play; give children plenty of time and space for exploration and keep the rules to a minimum.

When children are given freedom to explore they come up with far more creative ideas than when they are instructed or told how to play. Music play is often exuberant, noisy, chaotic and apparently random.  That’s good!  Music play is also often quiet, introspective, exploratory and focused.  That’s good too!

Sure you can get involved in your children’s music play!

Am I saying you shouldn’t get involved in your children’s music play at all?  No!  Children love to have adults join in their play and you can model ways to play music and extend children’s play through scaffolding.  But the children need to be leading the play; I like to think of it as being a participant, a player who is sharing in the play, not a leader who is directing the play.

Environments and ideas for music play

In children’s music play our main role is to provide an environment which supports their play and exploration.  I really believe that the best place for music play is outside – check my blog post on PreK + K Sharing for dozens of ideas for creating a vibrant outdoor music play environment, including what instruments work best outside, designing and building music stations and music walls, using playground equipment as music instruments, movement to music, and more.

Image showing loose parts used for music playImage of a music wall for children
Image sources: let the children play ………………Pre-school Play

For more images of music walls and outdoor music ideas make sure you check my Pinterest boards.

And check my post on music play and water play – fun ways to explore music and the science of music through water play and everyday household materials.

image showing making music in a water play trough

Have fun – and keep playing!
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Like this post? Make sure you check out the rest of my web site!

And you can find Child’s Play Music on Facebook

You might also like these blog posts:

The Best Playground in Perth – The Naturescape

Let Me Play! (Trust Me, I’m Learning)

Music in ECE: Yes, You Can! Part One

A Defence Of Homework – The Kind That Works

Image of a Bored child doing homework

How much learning is happening here?

Image source: Kelly Arnold of Better Learning Solutions

“Ban homework before third grade; support children’s play”.  That was the banner headline from an article From The Christian Science Monitor that got quite a few shares recently on Facebook. And a fair amount of exposure through Twitter too.

It’s author, Bonnie Harris, makes a heartfelt plea to ban homework for young children because the ever-increasing load of homework is eating into the time that they have for that most vital of learning experiences, free play.  How much time less for free play, and how much time more for homework?  The figures are staggering:

A study done by Sandra Hofferth of the University of Maryland found that from 1981 to 1997, American kids ages six to eight spent 25 percent less time engaged in free play and 18 percent more time in the classroom. Their homework time increased by a shocking 145 percent. Her updated research in 2003 shows play time continuing to decline and study time increasing yet another 32 percent!

Free play is vital – it’s how children learn resilience, personal competency, social skills, problem solving and a myriad other things that research shows are the best predictors of future academic success.

image of Two children running

And how much learning is happening here?

Image source: chrisroll / FreeDigitalPhotos.net

Image of a child climbing a net

Or here?

Image source: photostock / FreeDigitalPhotos.net

image of two children in a field

Or here?

Image source: photostock / FreeDigitalPhotos.net

But homework is destroying children’s opportunities to develop these skills through play.  Little wonder that academic results have been declining for years both in the US and here in Australia, where homework is also out of control.

Ask any parent – homework can be a living hell for both children and parents.  The constant battles to get the work completed (or even started); the tears of frustration when the work is too hard; the utter boredom when it is too easy; the “20 minute assignment” that actually takes 5 times that long for the average child; the excuses for why the work hasn’t been done; the outright lies (“No, I haven’t got any homework today!”).  Homework is loathed by children and by most parents – and rightly so.

But surely homework is a vital part of a child’s education?  Well isn’t it?  Surely we wouldn’t be giving out all that homework if it doesn’t improve academic results?

NO! The research is overwhelming: homework does NOT improve academic outcomes for children in elementary and middle school.  Quite the reverse: the more homework that is given the WORSE the academic outcomes.  The strongest correlation found is that homework results in children disliking school.  The more homework given – the more children hate school and the less interested they become in learning for its own sake.

Read Alfie Kohn.  In particular read his articles Rethinking Homework & The Truth about Homework.  They are utterly convincing and based on the best research evidence available about homework: homework is worse than useless, it is actively harmful to young children’s learning and development.

Now it’s bad enough that schools are giving out homework to young children, but it gets worse: I know of child care centres that give homework to children as young as THREE!  And I know of other centres that tell me parents are demanding that their children should be given homework by the child care centres! This is utterly insane!

Let me state categorically – I totally agree with both Bonnie Harris and Alfie Kohn.  Homework – or at least what we think of when we use that term – is a blight on young children’s lives and it should be banned completely.

So why have I called this blog post “A Defence of Homework”?

Because some kinds of homework have HUGE benefits for young children.  The problem is we’ve been giving the wrong kinds of homework and we’ve been giving it to the wrong people.

We’ve been giving ditto sheets and maths problems and “find 20 words that start with the letter T in a magazine”, and similar useless dreck to CHILDREN.

Instead we should be giving completely different kinds of homework; homework with value, homework that WORKS.

And we should be giving it to parents.

Homework like thisimage of a father & child on swing

Image source: photostock / FreeDigitalPhotos.net

Here’s what I mean; these are the sorts of “homework assignments” teachers could be setting for parents.  It’s not meant to be an exhaustive list, and not all of them would be suitable for children of every age, but you will get the idea.

  • Play with your child every day
  • Let your child play without you every day
  • Make sure your child gets to play outside with minimal interference or supervision from you for at least 1 hour every day
  • Play outside in the rain or snow
  • Dance with your child
  • Sing with your child
  • Play music with your child
  • Paint with your child
  • Teach your child how to walk or ride to school on their own and/or with friends
  • Teach your child how to walk to the shop and buy stuff for themselves
  • Teach your child how to take the bus and train for themselves
  • Teach your child how to visit friends for themselves – not in organised playdates, but on their own volition
  • Teach your children how to safely use simple tools like hammers, saws, hand-drills and pocketknives.  If you don’t know how to do this yourself – learn!
  • Teach your child how they can make musical instruments from junk by themselves
  • Teach your child how they can grow their own vegetables by themselves
  • Teach your children how to climb trees
  • Limit TV to no more than 30 minutes per day – and watch TV with your child during those 30 minutes
  • Eat meals together as a family – no TV, texting or mobile phones allowed; nothing but talking together and sharing the joy of communal eating
  • De-schedule your child’s life – reduce organised activities and sports, and increase spontaneous free play opportunities of all kinds
  • Take your child for a hike in the forest/swamp/river/beach/bush/mountains/city park – whatever is available to you
  • Take your child to the library
  • Take your child to the museum
  • Take your child to the art gallery
  • Read with and to your child every day
  • Make sure that your child sees you reading for your own pleasure every day
  • Make sure that your child sees you write (with a pen or a pencil) every day
  • Write with your child every day – record what he/she says, record her/his stories, diarise what you did together that day
  • Consciously show how you use simple math everyday – count out your change at the shop; count the number of apples and oranges you bought, add them together so you show that 5 apples plus 3 oranges mean you have 8 pieces of fruit and they cost X dollars and cents.
  • Hug your child
  • Kiss your child
  • Tell your child 20 reasons why you love them

I promise you, if teachers set homework like that the benefits to the children would be immense.

And the benefits would flow on to real academic advancement; children will learn to read better, they will learn to write better, they will learn maths better; they will learn science and the arts and the environment and technology better … every single area of the child’s school work will be enhanced.  And the children will be vastly happier – and so will the parents – and so will the teachers.

Now, doesn’t that sound better than “Mum, the teacher wants me to do this stuff – and I can’t do it!  I just can’t!”?

The Secret of my Success – Bart Hopkin!

Over many years people have asked me about how I come up with the crazy instruments I build. Surely I must have a phenomenally creative mind.  Um, no.  I just look at other “real” instruments and think “what’s the simplest possible way to make a version of this, preferably one that is incredibly cheap and extremely hard to break, and that very young children will be able to play successfully”.

I’m very proud of my instruments – I think they are pretty darn wonderful, and other people seem to think so too, especially the children I work with – but they are not complex.  My over-riding design principle is KISS.  If I cant build it simply I don’t build it at all.  If I can also make it from recycled junk that’s a bonus.

People also assume that I must have wonderful manual arts skills, that I am a trained woodworker and metal machinist.  Nope.  To be honest, my skills are very limited.  I’m not proud of this, but I failed woodwork and metalwork in first year high school, and I think of myself as a self-taught wood-butcher and metal-hacker. OK, I had a lot of experience working with PVC pipe when I used to be a professional gardener, but a 5 year old child can cut PVC pipe just as well as I can.

Nor do I have a state-of the art workshop with milling machines, band saws, thicknessers, router tables and the like. I mainly work with manual hand tools of the simplest kind.  In fact the only power tools I use are:

  • a cordless drill
  • a drill press
  • an angle grinder;
  • an electric jigsaw
  • a 1/3rd sheet electric sander
  • a hand-held electric planer

You could outfit my entire workshop by going to any major hardware store with $1000 and come away with plenty of change.  Indeed there is not one of my instruments that actually requires power tools to make – they just save a lot of time, but if necessary I could make them just with hand tools.

So, if I don’t have enormous creativity, nor great manual skills, nor a flash workshop, how did I learn to make such great instruments?  Two words:

BART HOPKIN

Picture of Bart Hopkin

Bart Hopkin – he’s the man!

Before I came across Bart Hopkin’s work and his wonderful books I had come up with a few very simple instruments.  After Bart Hopkin – the world of weird and wonderful instruments was opened up for me.

Now, not one of the instruments I make is a direct copy of anything in Bart’s books.  But almost everything I know about musical instrument design comes directly from reading his books, and many of my instruments are variations on his designs.

His books are utterly inspiring; in the simplest of language they explain the principles of musical instrument design – the physics, the practicalities, the tools needed, the materials you can use, & the methods of construction.  And then he gives you full instructions on how to make them.  Easy to follow instructions with diagrams and explanations.  Just brilliant!

Bart is quite simply the doyen of weird and wonderful experimental musical instrument design.  Using the simplest of materials and tools he makes instruments – wonderful instruments – and if you read his books you can learn to make them too.  He is also a pretty damn wonderful musician in his own right.

The first of his books that I came across was “Musical Instrument Design(See Sharp Press; 1996; 181pp; large format paperback, US$18.95).

Picture of Musical Instrument Design

Musical Instrument Design – buy this book!

This book taught me 90% of what I know about designing instruments.  It covers every possible sort of acoustic instrument, and many that you will never have heard of or thought possible. If you buy just one of his books, buy this one.  Some of the instruments are quite complex (there’s a few I would have difficulty building), but even if you’ve never done any manual work at all there are dozens of great projects that anyone can build.

It is also chock-full of the physics of instrument design – explained simply so that even a math-deficient and scientific ignoramus like me can understand them.  I can’t stress enough how valuable this info is – it’s that information that lets you come up with your own designs.

Of course, you could just build the instruments in the book – and there are literally hundreds of designs for instruments – but half the fun in building homemade instruments is coming up with your own weird variants.

The next book I bought was “Slap Tubes and other Plosive Aerophones(Experimental Musical Instruments; 2007; 64pp; standard format paperback; includes a CD; US$15.95).

Picture of Slap Tubes and other Plosive Aerophones

Slap Tubes and other Plosive Aerophones – definitely worth having!

Co-written with Phil Dadson, this is a much smaller book that concentrates on instruments like Thongophones and Stamping Tubes.  Now, you will find those in “Musical Instrument Design” too, but this book goes into far more detail and also has some great designs you won’t find in the first book.

The third book I bought was “Making Musical Instruments with Kids“, subtitled “67 easy projects for adults working with children” (See Sharp Press; 2009; 116pp; large format paperback; includes a CD; US$19.95).

Picture of the book, Making Musical Instruments with Kids

Every teacher should buy this book

If you work with children between the ages 5 to 15 BUY THIS BOOK.  Each instrument is graded by age and some are quite amazing (personally I think he has been quite conservative with the ages he recommends for each project – I think that with good supervision younger children could make many of the instruments that he recommends for older children).

Bart has many other books available too, but those are the ones I have and I can’t recommend them highly enough.  Honestly – I wouldn’t be doing what I do today without them.  I’m seriously tempted by “Funny Noises for the Connoisseur(Experimental Musical Instruments, 2003; 60pp; with CD; US$16.95). The blurb reads:

This book, with its accompanying audio CD, is about comical sounds and how to make them … squishy sounds and gloopy sounds, farting sounds and belching sounds, laughing sounds and crying sounds, moaning and keening sounds, munching and snarfling sounds, scraping and squeaking sounds, bestial indigestion sounds, crazy-bad musical instrument sounds, Martians conversing, muskrats chattering, and morticians giggling. There are also some sounds that are more exotic than comic and a few that are strangely lovely.

Call me juvenile (most people do), but that sounds like a book worth having, especially if you work with young children.  Is there a 6 year old in existence who doesn’t think that fart jokes are the ne plus ultra of humour?

Bart’s books are available from many on-line sources, but why not buy them direct from Bart’s site and cut out the middle man?  You can find them all right here, along with Bart’s CDs of his own music and other useful stuff.

To finish with, here’s a wonderful video from Bart himself, showing how to make a driftwood xylophone.  The techniques involved would work just as well with ordinary sawn lumber if you can’t find driftwood on your local beach.

(All photos of the books and of Bart are sourced from his web site; if you want to Pin them to Pinterest please pin them from there, not from my blog post – it’s just good manners.)

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It would be remiss of me not to mention the other great source of inspiration that first got me wondering about whether I could make musical instruments out of junk.  Back in the 80s here in Perth there was a wonderful band called AC-PVC, very serious musicians who made great instruments out of junk and PVC pipe. Mark Cain, one of the founding members of AC-PVC was a particular influence on me.

It was seeing them play that first got me interested in junk instruments.  I was amazed by the possibilities, but I didn’t know enough about how to make such instruments, although I did have the privilege of attending a workshop with them that gave me a bunch of ideas and got me started.

AC-PVC mutated into Nova Ensemble, equally inspiring and although they are still in existence they appear to be on hiatus.  If you ever get a chance to see them I thoroughly recommend you do so.

Facebook & Timeline for Pages – Rant Starts Here

OK, let’s get totally off-topic here, and let me rant about Facebook.  Specifically, the new Timeline format for Pages.

Timeline has been out for a while now for personal profiles and now it is being rolled out for all Pages too.  So if you have a business or a fan Page you will be “upgraded” to the Timeline format by the end of March.  Or, if you wish you can elect to make the switch early.  I chose to switch early – here’s what my Child’s Play Music Facebook Page looks like now.

Looks nice - far better than the old look

Before I get into the rant: there’s lots to like about Timeline.  Graphically the new layout is far more appealing, navigation is easier, and in most respects administration is improved – the ability to change dates on posts is particularly welcome, as is the new Messaging system. But …

Although Timeline is being touted by both Facebook and many commentators as giving Page administrators greater control of how posts are displayed and formatted, I don’t agree: in some ways it’s much more limited.

Under the classic FB interface it was possible to specify exactly what a visitor would see when they viewed your Wall.  You could set it so only posts by the Page are visible, or all posts visible (including those by other people or Pages), and for this latter view you had the choice of either “Most Recent” or “Top Posts”.  And those were important and useful choices – and you had control over them.

Those choices are gone under Timeline – and I’m angry!  The view now defaults to what FB calls “Highlights”; this is FB’s statistical model of what it thinks are the most important posts.  As far as I can tell your own Page Posts will always be visible, but FB chooses for you whether a post by someone else will be visible on the Timeline.  And you have NO control over this. If FB chooses not to display a particular post by someone else: too bad, you can’t make it do so.

[EDIT - I was wrong! Unbelievably FB does not show all your own posts in "Highlights" view! I had only checked back a few days worth when I wrote this post and they were all displayed, but when I check back further I find many, many of my posts are NOT displayed - in fact far more are hidden than are displayed.  Look, FB - as far as I'm concerned ALL my posts are "Highlights"; I wouldn't post them if I didn't think they were important.  My thanks to Marc Armitage for drawing my attention to this in a comment below.]

You can’t even select that only your own Page Posts will be visible, let alone that all posts will be visible.  Yes, you can click on a drop down box to choose to see either only Posts by Page or Posts by Others (but not both at the same time), but you can’t select either of these options as the default view for all viewers: it’s “Highlights”, full stop.

Why is this important, and why am I so angry about it?

Because this is all about Facebook taking control away from the Page administrator – control that up until now we have had.  Hey – I’m the administrator!  I want to be able to administrate!

Some Pages choose to have only their own Posts displayed – and this is no longer possible.  Why?  If they want to choose that display option (and many Pages do) how hard would it have been for FB to continue give them that option?  It’s always been possible up until now, and I refuse to believe that something about the new Timeline makes it technically impossible; it’s just a choice that FB has made for us.

Many Pages (and my Page is one of them) have always chosen to have everyone’s posts displayed – and that choice is gone too, and I want it back!

Sure there’s a little box with excerpts of “Recent Posts by Others” but the box only shows the 5 most recent posts.  And the excerpts are so short that they give you no real clue of what the posts are about – to find out you have to click “See All”.  Now as Page administrator I’m prepared to click on that button – but will any of my fans do so?  I doubt it.

Go have a look at my Page – check out what’s displayed on the default “Highlights” view.  Right now you have to go back to February 9 before you find a single post that’s not my own.  Then click on the little “Highlights” drop down box and select “Posts by Others”.  WOW!  That’s an awful lot of posts that Facebook has decided for me aren’t worth anyone seeing!

And that’s the nub of my complaint:  Facebook is about interaction – I LOVE it when my fans post to my Page.  But if their post is going to be hidden away they have far less incentive to post.  Result: less interaction, and also less information and useful links being posted to my Page.  My Page becomes less interesting to my other Fans – where’s the incentive to actually visit my Page (as opposed to just check my own posts coming to them in their News Feed) if that additional material isn’t there any more?

And when my fans post to my Page it’s not just me that gets the chance to interact with them – anybody who visits my Page can do so too.  Somebody posts; I comment; somebody else comments about my comment, and so on.  That’s all good – I want people to have many different ways to interact with my Page.

I’m really worried that these changes are going to reduce interaction – and Pages live and die on interaction.  Facebook – let me decide what’s important and what isn’t!

Now understand: I LOVE Facebook.  I never thought I would be a Facebook fanatic, but I am.  The level of networking and interaction has just amazed me since I joined less than 6 months ago.  I spend hours on Facebook, not because it’s making me a million dollars (believe me, it isn’t), but because I’ve found a community of like-minded individuals and Pages who are passionate about the same things I care about.

But I’ve also been frustrated by Facebook itself – not the people and the Pages, but the system.  Facebook has a well deserved reputation for introducing major changes without adequate consultation.  They are also remarkably unresponsive to user feedback.  There’s no user democracy when it comes to Facebook; it’s an autocracy through and through. Facebook doesn’t negotiate: it dictates.

Why? Probably because they are in other ways so incredibly successful – when you have the stratospheric growth rate that FB has enjoyed there’s no incentive for it to be responsive to user feedback.  Facebook is and remains the premier social networking site.  Whether it will remain so – who knows?  But if it wants to continue to dominate in the face of ever-increasing competition it will have to start listening to users.

So please – if you are as upset about this as I am, tell Facebook! You can submit it as a bug report here.  Or use the feedback function of your own FB Page. You can do more – post about it on Facebook – let your friends and other Pages know about the problem.  Shameless plug – share this blog post on Facebook :)   If enough people complain then maybe – just maybe – FB will do something about it.

Copyright, Pinterest and Child’s Play Music

Debbie Clement of RainbowsWithinReach has a very interesting blog post about intellectual property today.  Most of it I had never considered, and it drew my attention to another post about intellectual property & Pinterest at Corkboard Connections.

So, in the spirit of those two posts, here are my rules for Pinning images from this blog and web site:

I’m entirely happy for you to Pin my own images; no, I would LOVE you to pin my images.  All I ask is that you credit me and this site in your notes to the Pin.  Simple.

Um, not quite that simple.  Because there are two types of images here:

  1. My own images, where I own the copyright, or images that are copyright-free and in the public domain.
  2. Images where someone else owns the copyright, but I have permission to use the image.

It’s easy to tell the difference; any image that is credited to another website is NOT MY IMAGE, or is not in the public domain.  I always provide a link to the original source, and I always have permission from the copyright owner to use the image.

So, if you want to Pin one of those images: don’t. Or at least, not from here. Follow the link to the original location of the image and Pin it from there. Preferably ask permission from the copyright owner or at least check out their rules about sharing images.

To make it absolutely clear: check out the two images below.  The first is my own image; you can tell because I don’t give a link or source for it.  You are welcome to pin it.

Picture of Alec Duncan with homemade instruments.

No link, no source: it's my image, go right ahead and Pin it!

The next one is NOT my own image; you can tell because I DO give a link and source for it.  Please don’t Pin it from here – go to the original source.

Child playing outside musical instruments

Link & source: it's NOT my own image, please don't Pin it from here.

 Source: let the children play

 Please respect these rules – it’s just common courtesy.
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Like this post? Make sure you check out the rest of my web site!

And you can find Child’s Play Music on Facebook

And check out my Pinterest boards, too!

You might also like these blog posts:

The Best Playground in Perth – The Naturescape

Music in ECE: Yes, You Can! Part One

Water Play, Music Play & Children: A Natural Combination

Let Me Play! (Trust Me, I’m Learning)

This poster exploded onto the early childhood pages on Facebook yesterday.  Within hours of Jeff from Explorations Early Learning, LLC posting it to his Wall shares hit the hundreds and as I write it’s been shared over 1,800 times (possibly much more – some Pages have been sharing the image without attribution to Jeff and his Page). [Update: it's now been shared almost 5,000 times as at 3/10/12, and it's also available for purchase from Jeff's website]

I am 3 - let me play poster

Source: Explorations Early Learning, LLC

It seems to have struck a chord; the vast majority of comments have been along the lines of “I love this!”, “so true!”, “yay!”, “amen!”, “I want to give this to all the parents at my centre/preschool!” and “I want to give this to all the teachers at my child’s centre/preschool!”

And those last two comments are, of course, the point.  Because learning through play is something that is increasingly getting lost in the relentless drive towards academic programs for preschoolers, and unrealistic expectations of children’s behaviour and needs.  More so in the US (where Jeff is based) than here in Australia, but even here many preschool programs are less play-based than they used to be.

There is a tendency to push the curriculum downwards – what would previously have been expected of Year One students is now increasingly being taught in kindergarten, and what would have been taught in kindergarten is being taught in preschools. Worksheets and standardised testing are supplanting construction play and home corners.  Outdoor play is being replaced with desk time.  Children’s needs are being overruled by society’s demands.

And this goes against 100 years of solid research into child development and how children learn.  Academic preschool programs that focus on direct instruction are worse than useless: they are actively harmful to children’s development in both the short and long term.

Similarly, programs that have unreal expectations of children’s behaviour – programs that require 3 year olds to sit still, to keep their hands to themselves, to stand in line, to be patient – are setting children up for failure.  Children with perfectly age and developmentally appropriate behaviour are being labelled as problems.  Children are being punished with time-out or other aversive systems for behaviour that is not only normal – it is desirable!

Everything that children need to learn comes through play, and developmentally appropriate quality programs that provide extensive opportunities for learning through play provide the best environment for children to flourish.

Now understand: I am not arguing that preschool programs should be a free-for-all, in which children are merely left to play without adult support and guidance about behaviour. Again, the research is unequivocal – such laissez-faire programs are ineffective at best, and harmful at worst.

But unless we as a society recognise that young children need extensive opportunities to learn through play, that academic direct instruction models are harmful to them, and that their “undesirable” behaviour is normal and developmentally appropriate, we are are failing them.

The adverse outcomes will be felt for generations; we must not allow that to happen. Play and play-based learning must be nurtured, it must be at the heart of every educational program whether that is child care, preschool, kindergarten or school.  As professionals or parents we need to stand up and defend play; to capitulate to the forces that oppose play is to fail both our children and society.

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This post has been featured on It’s Playtime at let the children play

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Like this post? Make sure you check out the rest of my web site!

And you can find Child’s Play Music on Facebook

You might also like these blog posts:

The Best Playground in Perth – The Naturescape

Music in ECE: Yes, You Can! Part One

Water Play, Music Play & Children: A Natural Combination

14 Blokes Who Blog About Early Childhood – make that 27!

Males who work in the early childhood field are rare.  I mean, really rare.  Under 2% of the workforce seems to be the generally accepted figure. And males who blog about ECE and/or childhood seem to be even rarer.  When I started researching this post I knew of just 7.  Thanks to Donna and Sherry at Irresistible Ideas for Play Based Learning and Greg at Males in Early Childhood I now know of 14. Make that 29 blogs by 27 authors!

The standard is astonishingly high.  They range from classroom blogs to blogs about the nature of play & childhood to the politics of early childhood education to parenting and points in between.  There’s something to be learned from all of them.

This was originally going to be a really long post describing each blog, with links to favourite posts, & photos, bios, yada, yada.  All my blog posts seem to end up as major essays and this was no exception.  Time to fight back!

So here in random order are the 14 29 blogs (no, really random, I used this random list generator, at least for the first 14 – the rest are in the order I became aware of them).  Just go and read them, OK?

Males in Early Childhood

You can also find Greg on Facebook at his Males in Early Childhood Education Page.

ABC Does

You can also find Alistair on Facebook on his ABC Does Ltd Page.

Rethinking Childhood

You can also find Tim on Facebook on his Rethinking Childhood Page.

Brick by Brick

You can also find Scott on Facebook at his Brick by Brick Page.

Literacy, Families and Learning

You can also find Trevor on Facebook on his Literacy, Families & Learning Page

Marc Armitage

You can also find Marc on Facebook at his Marc Armitage at Play Page.

Identity crisis? No, I’m a male nursery teacher!

You can also find Mr Shrek on Facebook at his Mr Shrek Page.

The People Garden

You can also find Noah on Facebook at his The People Garden Page

Jeff’s Blog

You can also find Jeff on Facebook at his Explorations Early Learning LLC Page

Look At My Happy Rainbow

You can also find Matt on Facebook at his Look At My Happy Rainbow Page

Sand and Water Tables

You can also find Tom Bedard on Facebook at his Sand and Water Tables Page.

Rusty’s Blog

You can also find Rusty on Facebook on his EarthPlay Page

Teacher Tom

You can also find Tom on Facebook on his Teacher Tom Page

Hopkins’ Hoppin’ Happenings

You can also find Brian on Facebook on his Hopkins Hoppin Blog Page

crayons, wands, and building blocks **NEW**

You can also find Sergio on Facebook on his crayons, wands, and building blocks Page

Enabling EnvironmentsFoundation Stage 2 Blog & class1jd’s posterous (This last one is no longer being updated but it’s still well worth reading) **NEW**

Marc doesn’t appear to be on Facebook, but he’s on Twitter @marc_faulder

@ko **NEW**

This is an anonymous blog.

Enrique Feldman **NEW**

Enrique does a monthly blog post at PreK & K Sharing but does not currently have a regular blog of his own.

You can also find Enrique on Facebook on his Living Like a Child Group.

Former Child **NEW**

I don’t know if Dan Hodgins is on Facebook

Mr Forest Schools **NEW**

I don’t know if Mr Forest Schools is on Facebook

My Hullabaloo **NEW**

My Hullabaloo is no longer being updated, but is still up. Matt’s new blog can be found at mattBgomez

You can also find Matt Gomez on Facebook on his My Hullabaloo Page

Bill Corbett’s Blog **NEW**

You can also find Bill on Facebook on his Cooperative Kids Page

Not so much a blog as a website, but there are some great articles and information from Adam Buckingham, a man who does exactly what the website title says: turn trash into treasure in amazingly creative ways for early childhood settings.  I don’t know if Adam is on Facebook.

A Man in Child Care **NEW**

You can also find David Wright on Twitter @ Mr_Paintpots.  I don’t think he’s on Facebook.

Jim Gill’s Words on Play  **NEW**

You can also find Jim on Facebook on his Jim Gill Page

Lighting Some Fires **NEW**

This blog appears to have been removed. I’m not sure if Liam McNicholas is also on Facebook

childcaresurfboatcrossfitdad **NEW**

You can also find Tony on Facebook on his Tony Kee- Childcaresurfboatcrossfitdad Page.

If you know of more blogs about early childhood by males pop the link in a comment and I will add them to this post.  Thanks!

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And you can find Child’s Play Music on Facebook

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